When it comes to accompaniment styles, the Korg Pa300 is unbeatable. Plus, there’s a 3-band EQ for every track giving you the freedom of shaping the sounds as you like. What’s more, it features an internal PCM memory that can hold over 300 styles, 64 drum kits and 950 sounds. This arranger distinguishes itself with the state-of-the-art technology RX (Real Experience technology) which works together with the onboard amplification system to provide unparalleled realism. Its buttons, knobs, swatches, and joysticks combine beautifully to make music quickly. Any keyboardist would love the perfect feedback the keys provide. The arranger boasts a pristine design with 61synth keys. It packs a punch with various up-to-date sounds and styles. The arranger is incredibly powerful and easy to use at the same time. The KorgPa 300 scooped the top spot for all the right reasons. Also, it doesn’t have an aftertouch or mic-input. Some users have complained about the arranger taking so much time to load.With a free 3-month subscription to the Skoove online piano lessons platform included to sweeten the deal, if you’re just starting out as a keyboardist or just want a simple, fun, quality keyboard for writing or practising on out of the house, we’d recommend giving this keyboard a GO. With the GO-61K Roland have put their own spin on the traditional arranger keyboard and in doing so have created an instrument that’s relatively unique, entertaining, fun and easy to use whatever your level of playing, but particularly appealing to beginners. It’s a lot of fun and pretty entertaining whatever level you play at, and the patterns have been programmed to a standard that just about elevates them above the cheese level that’s often associated with this kind of thing. Once you have a groove going, you can either jam over the top with the selected sound across the entire keyboard, or enter Chord mode, in which the lower octave lets you dictate which chord the virtual band is playing while you use the upper part of the keyboard to solo and play melodies over the top. You can choose from a variety of 22 genres via the front panel +/- buttons, with a different set of loops available for each genre, which go from Trance to J-Pop via Hip-hop and Reggaeton to name just a few. For example, each key in the octave C1-B1 triggers a different drum loop, next octave up, in C2-B2, the keys trigger bass parts, and the upper three octaves are each dedicated to other individual instrumental parts. You enable Loop Mix mode with the press of a button, after which each octave on the keyboard is used to select a loop from a different category. This is somewhat akin to the auto-accompaniment features found on arranger keyboards from the likes of Yamaha and Casio. When we showed a 14 year old musical ingenue how to jam along to her favourite three-chord wonders from the playlist on her phone, she was instantly hooked, and moved to admit that she now wished she’d taken Music as a GCSE instead of History - quite a result! The GO-61K also features MIDI via Bluetooth, enabling it to be used wirelessly as a controller for apps like GarageBand, for instance.Īnother unique selling point for the GO-61K is the Loop Mix function. Once connected, you can stream audio from your device through the speakers in the GO-61K and play along using the currently selected sound. Pairing the keyboard to a nearby device, such as a mobile phone or tablet, is simple to achieve. If you’re thinking of getting one of these for a child or teenager to start out on, let’s just say that the Bluetooth features are a big selling point. If you’re thinking of getting one of these for a child or teenager to start out on, let’s just say that the Bluetooth features are a big selling point Having the octave shift control buried in this menu is especially frustrating - we would have preferred to have a dedicated pair of buttons on the panel for this, as found on the GO-61P. If you go past the setting you want, there’s no going back - you just have to keep on clicking through the numerous options until cycle back round to your chosen destination parameter. We found ourselves wishing for a hardware pitch and modulation bender, as found on many Roland synths, to take care of real time performance duties, although the pads do double up as filter / note repeat FX controllers.Īlso, many parameters, from the overall reverb level to the unit’s Bluetooth status to the currently selected octave, are buried in a chain in the Setting menu, accessed by repeatedly clicking a single button. The performance touch pad controls are a little harder to get to grips with, the pitch bend and modulation proving somewhat laggy. That’s not to say that we didn’t come up against a few niggles.
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